| No. | Term | Definition |
|---|---|---|
| 1. | Active voice | Uses a subject that performs the action in a sentence. |
| 2. | Adjective | Describes a noun with qualities or attributes. |
| 3. | Adverb | Modifies a verb adjective or adverb. |
| 4. | Alliteration | Repeats initial consonant sounds in nearby words. |
| 5. | Ambiguity | Allows more than one meaning in a passage. |
| 6. | Analogy | Compares two things to clarify an idea. |
| 7. | Anecdote | Brief story that illustrates a point. |
| 8. | Antagonist | Opposing character who creates conflict for the protagonist. |
| 9. | Antithesis | Pairs contrasting ideas to sharpen meaning. |
| 10. | Aphorism | Concise statement that expresses a general truth. |
| 11. | Apostrophe | Addresses an absent person or abstract idea directly. |
| 12. | Arc | Character change across a story or scene. |
| 13. | Assonance | Repeats vowel sounds in nearby words. |
| 14. | Atmosphere | Emotional tone created by setting and language. |
| 15. | Beat | Small unit of action or emotion within a scene. |
| 16. | Bias | Preference that skews perception and interpretation. |
| 17. | Bildungsroman | Coming of age story focused on personal growth. |
| 18. | Blocking | Planned movement of characters within a scene. |
| 19. | Bomb | Hidden threat known to readers but not characters. |
| 20. | Brevity | Uses fewer words without losing meaning. |
| 21. | Cadence | Rhythmic flow of language in sentences. |
| 22. | Callback | Later reference to an earlier detail for effect. |
| 23. | Catharsis | Emotional release produced by a dramatic climax. |
| 24. | Causality | Links events through clear cause and effect. |
| 25. | Characterization | Reveals personality through action speech and detail. |
| 26. | Cliche | Overused phrase that has lost originality. |
| 27. | Cliffhanger | Ending that leaves a major question unresolved. |
| 28. | Climax | Turning point of greatest tension in the plot. |
| 29. | Closure | Provides a satisfying ending to key story questions. |
| 30. | Conflict | Struggle between opposing forces driving the narrative. |
| 31. | Connotation | Emotional associations carried by a word beyond its meaning. |
| 32. | Continuity | Consistency of facts details and timeline across a story. |
| 33. | Contrast | Highlights differences to emphasize meaning or mood. |
| 34. | Copyedit | Improves grammar style and consistency in a manuscript. |
| 35. | Counterpoint | Balances a main idea with a contrasting element. |
| 36. | Creative nonfiction | True storytelling using techniques of fiction. |
| 37. | Dangle modifier | Misplaced phrase that seems to modify the wrong word. |
| 38. | Denotation | Literal dictionary meaning of a word. |
| 39. | Description | Sensory detail that helps readers picture a scene. |
| 40. | Dialogue | Spoken exchange between characters on the page. |
| 41. | Diction | Word choice that shapes tone and clarity. |
| 42. | Draft | Early version of a text meant for revision. |
| 43. | Dramatic irony | Readers know something characters do not know. |
| 44. | Dynamic character | Character who changes significantly during the story. |
| 45. | Ellipsis | Omission of words to create pause or trailing thought. |
| 46. | Em dash | Punctuation mark used for breaks and emphasis in sentences. |
| 47. | Enjambment | Poetic line break that carries meaning into the next line. |
| 48. | Epigraph | Short quotation at the start of a work. |
| 49. | Epiphany | Sudden insight that changes a character perspective. |
| 50. | Epithet | Descriptive phrase attached to a person or thing. |
| 51. | Ethos | Credibility or moral appeal of a speaker. |
| 52. | Exposition | Background information that explains context and stakes. |
| 53. | Figurative language | Nonliteral phrasing that creates vivid meaning. |
| 54. | Flashback | Scene that jumps to an earlier time in the story. |
| 55. | Foil | Character who highlights another character traits by contrast. |
| 56. | Foreshadowing | Hints that suggest future events or outcomes. |
| 57. | Free indirect style | Third person narration colored by a character inner voice. |
| 58. | Genre | Category defined by shared themes conventions and expectations. |
| 59. | Hook | Opening that captures reader attention quickly. |
| 60. | Hyperbole | Exaggeration used for emphasis or humor. |
| 61. | Imagery | Language that appeals to the senses. |
| 62. | In medias res | Begins a story in the middle of action. |
| 63. | Inciting incident | Event that launches the main conflict of the plot. |
| 64. | Inference | Conclusion drawn from evidence rather than direct statement. |
| 65. | Irony | Gap between expectation and reality that creates meaning. |
| 66. | Jargon | Specialized language used by a particular group. |
| 67. | Juxtaposition | Places elements side by side to highlight differences. |
| 68. | Kerning | Adjusts spacing between letters for readability and style. |
| 69. | Line edit | Revises sentences for clarity rhythm and voice. |
| 70. | Logline | One sentence summary of a story premise. |
| 71. | Metaphor | Direct comparison that equates one thing with another. |
| 72. | Meter | Pattern of stressed and unstressed syllables in verse. |
| 73. | Motif | Recurring image idea or phrase that reinforces theme. |
| 74. | Narration | The telling voice that presents the story to readers. |
| 75. | Narrator | Voice or character who tells the story. |
| 76. | Onomatopoeia | Word that imitates a natural sound. |
| 77. | Pacing | Speed at which a story unfolds for readers. |
| 78. | Paradox | Seemingly contradictory statement that reveals a truth. |
| 79. | Parallelism | Uses similar structure to link related ideas. |
| 80. | Pathos | Appeal that evokes emotion in an audience. |
| 81. | Perspective | Angle from which events are perceived and described. |
| 82. | Plot | Sequence of events arranged to create meaning and tension. |
| 83. | Point of view | Narrative position that determines what readers can know. |
| 84. | Prologue | Opening section that provides setup before the main story. |
| 85. | Prose | Ordinary written language that is not verse. |
| 86. | Protagonist | Main character whose goals drive the story. |
| 87. | Query letter | Pitch sent to an agent or editor for consideration. |
| 88. | Red herring | Misleading clue that distracts from the true issue. |
| 89. | Register | Level of formality in language use. |
| 90. | Resolution | Ending that settles conflict and shows outcomes. |
| 91. | Revision | Reworking content structure and language to improve a draft. |
| 92. | Rhetoric | Effective use of language to persuade or influence. |
| 93. | Rhythm | Pattern of beats created by sentence structure and sound. |
| 94. | Rising action | Events that build tension leading to the climax. |
| 95. | Satire | Uses humor to criticize human flaws or institutions. |
| 96. | Scene | Unit of story in a specific time and place. |
| 97. | Show don’t tell | Conveys meaning through action detail and subtext. |
| 98. | Simile | Comparison using like or as to create imagery. |
| 99. | Subtext | Implied meaning beneath the spoken or stated words. |
| 100. | Suspense | Tension from uncertainty about what will happen next. |


